DAYBREAK undergoes intense rehearsals to perfect 'SUMMER MADNESS' stage

The intense production process of the band DAYBREAK, as they work to elevate the quality of their summer concert, has been revealed. The members gathered to finalize the concert's subtitle, stage direction, and detailed arrangement directions.

"We will create the most dynamic stage" — The philosophy behind the subtitle

Rather than relying on directorial gimmicks, the subtitle for this performance focuses on the essence of the concert. Through the subtitle, DAYBREAK signaled that the show would be an active, high-energy performance. The members expressed their goal of creating an intuitive experience, stating, "We want it to feel like we've packed in all the most active, dynamic songs that people want to hear."

Their goal is to create an environment where the audience can jump around and fully enjoy themselves.

Discussions regarding the venue structure also took place. The band conducted simulations of how the audience would experience the stage by reviewing the 1st, 2nd, and 3rd tier configurations of the standing area and the fence positions. In particular, considering how standing spectators might lean against the fence, they even discussed providing chairs so fans could sit momentarily while still watching the show, demonstrating a commitment to both audience convenience and immersion.

From Talkbox to a cappella endings: A feast of detailed arrangements

As full-scale ensemble rehearsals began, heated technical discussions unfolded to perfect the songs. Starting with matching the chorus chords of specific tracks, members exchanged opinions regarding changes in instrumentation. Regarding the use of the Talkbox, one member noted, "the Talkbox is not an instrument suitable for fast melodies," leading the group to review alternative sounds such as the Vocoder to finely adjust the texture of the songs.

In-depth discussions were also held regarding how to conclude the songs. To maximize the emotional impact of the performance, it was suggested that "it would be great if it ended with the voices of the audience."

They designed the flow of the performance by envisioning endings where the music repeats and then leaves only the keyboard and vocals, or transitions entirely into an a cappella section to connect with the audience. While bursting into laughter and joking, "If we stay focused and do well, we might not have to do this tomorrow," the members continued their repetitive rehearsals to ensure a perfect stage.