"Can you see me?" Repeated questions and eccentric answers... Character variations of the 34th Gag Concert's trio of beauties

The various characters and comedy scenes performed on stage by the 34th-generation comedians Son Min-gyeong, Seo Seong-gyeong, and Hwang Hye-seon of KBS 'Gag Concert' have been released. The video uploaded to the official KBS 'Gag Concert' YouTube channel captures them eliciting laughter while acting out characters with different settings.

"Can you see me?" Repeated questions and the appearance of eccentric characters

In the early part of the video, the appearance of the cast members acting as 'ghost' characters follows. The performer repeatedly asks the question, "Can you see me?", leading the situation based on the setting that they should not be seen because they are a ghost. When the other person answers that they can see them, the performer continues the conversation and carries out a role-play with settings such as "If you move backward, you won't see me" or "If you take off your glasses, you will see me blurrily." In this process, the performer shows an unpredictable character, shouting "It's a thief!" or pointing at a specific object and saying, "Since it's mine, you have to put it down for it to be mine."

In particular, the video features unique settings never seen before, to the point where reactions like "What kind of character is this?" arise regarding the identity of the character. They use everyday actions, such as exercising, grabbing snacks, or the way they read numbers, as comedic material and develop the situation through "tiki-taka" (back-and-forth banter) with the other performers. The performer also shows bewildered reactions, saying things like "I have never written a gag like this" or "I have never seen such a character in my life." Additionally, they present reactions tailored to situations such as empathy, realization, and curiosity, saying, "I came to learn human reactions to become a human," and continue with bizarre settings, such as studying how to read numbers and reading them in a way like "sip-il-eo."

The cast expands the character settings to incorporate various social elements into the comedy. They mention the introverted 'I' and extroverted 'E' by saying, "I am studying MBTI to get close to people," or ask, "Is there a name for extremely extroverted people like me?" while saying, "I even did DJing at a ghost gathering not long ago." This is followed by a scene of studying English, where they say, "Females are She, males are He, and they are They." Furthermore, conversations utilizing knowledge continue, such as mentioning the figures on banknotes, saying, "Shin Saimdang is on the 50,000 won bill, King Sejong is on the 10,000 won bill, and Yulgok is on the 5,000 won bill."

In addition, various materials derived from the basic setting of being a 'ghost' were used, such as showing a non-existent driver's license saying, "I got my driver's license," or expressing the ambition to "debut as a Jeoseung-dol (Underworld Idol)." The performer continues with eccentric remarks, such as mentioning the material "Goin Noraebang" (Deceased Karaoke), saying, "I go around singing with the ritual money I received at events," or "Since it is peak season for ghosts, I did DJing at a ghost gathering." The video also includes scenes where the cast members show bewildered reactions to these eccentric settings, saying, "What kind of character is this?" and "I have never written a gag like this."

In the latter part of the video, the group STAYC appears, creating a scene that connects with the characters' comedy. The performer sets up a situation by introducing STAYC's new song stage, saying, "I heard that seeing a ghost brings great success, so I came for the new song." After STAYC's stage follows, the performer returns to the character, asking "Is this outfit better or is that outfit better?" or mentioning a "Blind date of ghosts within ghosts" to conclude the role-play.

The released video is composed of a collection of the different activities of the three 34th-generation comedians and is filled with the character variations and dialogue-centered flow shown by the cast.